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SPOILER WARNING: The following feature contains spoilers for some of the movies discussed. If you haven't seen whatever on the list, admittance at your own risk!
In late November, I made a discovery. In my quest to attempt and see as many supplementary releases as I possibly could throughout the year - something I see as a professional liability - I noticed that there was one particular type of film of which I watched quite a lot: sequels. following some exception, to that reduction in the year I had seen approximately all widely released follow-up to arrive out in 2018, and I established to create it a mission to given the list.
Now it's supplementary Year's Eve, and not lonely am I declaring mission accomplished, but I am celebrating following this feature. below I have assembled a list of all prequel, share two, share three, and more than that was shown in 2,000-plus domestic theaters this year, and I have ranked them in order of tone - along following my own brief thoughts. Scope out the list below, and see if you can guess the summit 5 past getting there!
37. Fifty Shades FreedTalk just about dying following a whimper. The Fifty Shades movies were logically assaulted from the begin (with completely good reason), and the sequels did absolutely nothing to pro the legacy. James Foley's Fifty Shades Freed sees not lonely the tepid/subtly hostile/abusive link amongst Anastasia (Dakota Johnson) and Christian (Jamie Dornan) continue following a wedding, but is jammed full of plan courtesy of a simply psychopathic ex-boss (Eric Johnson). This capper helps fulfill this series' ultimate destiny to be lonely rediscovered in the sophisticated as a trilogy bin set found in a understanding bin.
36. The Strangers: Prey At NightThis is a sequel made thanks to the fact that its predecessor spent a decade building a modest cult audience, but Johannes Roberts' The Strangers: Prey At Night is a movie that will lonely in fact charm to those who have a true affinity for the original's given want of any nice of story. The follow-up is basically identical to The Strangers, following the same killers simply going after unusual random associates that happens to be home, and it too completely lacks any nice of compelling twists or engaging narrative developments. At the completely least there's no understanding of a Strangers 3.
35. The Cloverfield ParadoxBoy did the Cloverfield franchise shit the bed here. following 10 Cloverfield Lane, it seemed following the brand had hit on an ingenious idea: develop cool and indigenous sci-fi features anthology-style that can be marketed as share of a known property. Julius Onah's The Cloverfield Paradox ruins this by both failing to take proper advantage of an awesome concept (traveling amongst alternate universe), and needlessly using the financial credit to attempt and run by the events of the indigenous Cloverfield. What following had hence much understanding now appears to be basically dead in one fell swoop -- and it completely wasn't helped by Paramount dumping it to Netflix and hyping it as a post-Super Bowl release.
34. The PredatorThe Predator franchise is not exactly one following a glowing reputation following it comes to sequels, but all the pieces seemed right in the making of The Predator. An awesome writer/director (Shane Black), and a extraordinary ensemble cast (Boyd Holbrook, Keegan-Michael Key, Sterling K. Brown, Olivia Wilde, and more) should have resulted in some R-rated awesomeness, but this was a sincere disappointment. In all the incorrect ways it feels following an performance movie trapped in a interchange era, and is lonely occasionally benefited from Black's well-established and razor sharp wit.
33. OverboardRob Greenberg's Overboard sneaks its habit on to this list given that the movie references the events of 1987's Overboard as canon -- all that's needed to qualify as a sequel -- but it doesn't wind happening following unbelievable placement. even though it's still not dexterous to shake the "Gaslighing Comedy" brand, it makes good use of the gender swap, and gets enjoying dexterous performances out of leads Anna Faris and Eugenio Derbez. Unfortunately, it's afterward still quite lame, and has decades-old sensibilities that just don't in fact click anymore.
32. Insidious: The Last KeyIt's a shame that James Wan has never completed a trilogy, because the Insidious features got off to a good begin following the first two. Insidious: Chapter 3 sadly bucked the trend, dynamic clichs then again of exasperating to complete something new, and sadly Adam Robitel's Insidious: The Last Key is more in descent following its unexpected predecessor than Wan's contributions. There are some good scares, and even some hermetic living thing design, but it's afterward a letdown as a franchise finale.
31. Mamma Mia: Here We Go Again!Ol Parker's Mamma Mia! Here We Go Again! is a movie made to performance to a specific audience: namely the audience that in fact loved the first Mamma Mia. It takes a genuine answer of Abba to sit through this material, and keeping in mind that this is an goal list, I have never been one to have those feelings. It isn't all bad, as there is a heap of completely charismatic and fun movie stars featured partying in the Greek islands, but for someone who isn't into the music it's a chore to sit through the endless musical sequences.
30. The woman In The Spider's Web: A supplementary Dragon Tattoo StorySony went into overdrive in 2018 exasperating to utilize its brands (with a special prominence on Spider-Man), and we'll be talking just about their movie's throughout this list, but arguably Fede Alvarez's The woman In The Spider's Web: A supplementary Dragon Tattoo financial credit is the biggest disappointment. Claire Foy does a gifted job as the edgy hacker Lisbeth Salander, but the material is landing field bookstore quality. Alvarez, who has both Evil Dead and Don't Breathe on his resume, can complete a lot enlarged than this.
29. Sherlock GnomesIn animosity of all its kitsch, Gnomeo & Juliet was a surprisingly delectable film, and a fair amount of its cuteness spills into John Stevenson's Sherlock Gnomes -- but not quite enough. In the same habit the indigenous treated Shakespeare, there are a number of delectable nods and Easter eggs to the archives of London's most famous consulting detective, but the plan is lacking even by kids' movie standards. Nobody was expecting a lot from this one, but you don't acquire bonus points busy happening to low expectations.
28. The Equalizer 2Denzel Washington had never signed on to a sequel past deciding to create Antoine Fuqua's The Equalizer 2 -- and to his credit, the decision made sense. The first was a bin office hit, and the financial credit presented an opportunity for the tone to return. Sadly, the end result is not in fact worthy of Washington's greatness. even though the star is still engaging as the helpful-but-stern Robert McCall, the plan is nothing we haven't seen a thousand time before, paired following completely obvious twists. It does have a unique finale, set in an lonely coastal town during a hurricane, but it's not enough to praise the full piece.
27. Super Troopers 2The long suspend waiting for Jay Chandrasekhar's Super Troopers 2 was always going to hurt the end experience watching it. After all, its material best plays to an immature audience, and 17 years is a lot of time for an audience to mature. There are completely some funny bits, it's the scarce sequel that can create the majority of its callbacks work, and it's completely consistent, but it's afterward pretty damn stupid, and not anywhere close as (surprisingly) structurally mighty as the first.
26. The NunNext to the Marvel Cinematic Universe, one could create the activity that the Conjuring Universe is the second most flourishing multi-tiered franchise, following the majority of the features living thing shockingly good (and in their own habit contributing to the current horror boom). Corin Hardy's The Nun, however, qualifies as a misstep. One can appreciate the extreme tweak in tone for the brand, and there completely are a few big jumps, but it afterward doesn't create you care just about the characters anywhere close the level of either Conjuring movie or Annabelle: Creation. Thankfully there will be an abundance of bounce assist opportunity arriving adjacent year in the form of Annabelle 3.
25. MuteDuncan Jones' Mute is unusual example of unusual subtle sequel, as there is lonely a brief moment in the movie that confirms that the financial credit exists in the same continuity as Jones' directorial debut, Moon. What's sad, though, is that this one isn't approximately as good as the Sam Rockwell-led drama. There is completely some extraordinary and pretty Blade Runner-esque production and costume design in play, as with ease as a extraordinary against-type point of view from Paul Rudd, but you're left wanting a lot more from the hard-boiled plot, and from the uncertain and underwritten ending.
24. Jurassic World: Fallen KingdomColin Trevorrow's Jurassic World was completely a contaminated bag, and basically J.A. Bayona responded following a contaminated bag sequel of his own. There is completely some good stuff featured in Jurassic World: Fallen Kingdom, as the dinosaurs see great, there are some awesome sequences, and both Chris Pratt and Bryce Dallas Howard see infinitely more willing in their roles, but there is afterward a lot of bad -- following repeating the same mistakes as the first film (why genetically modified dinosaurs?), and straight-up dumb financial credit choices. We can lonely hope that a sequel following a world filled following the ancient monsters can create for a sophisticated third chapter.
23. The First PurgeThere are two primary reasons that The Purge movies work: 1) the creativity of a world defined by interchange rules, and 2) the horror flick satisfaction that comes following a bit of the outmoded ultraviolence. In both departments Gerard McMurray's The First Purge earns a big meh. It turns out that witnessing the origins of the "no laws" scenario isn't as engaging as watching a intervention that has already adapted to it, and it's overall pretty bland by franchise standards. even though the themes and messaging have never been more prescient, that just makes what's put together more underwhelming.
22. extraordinary Beasts: The Crimes Of GrindelwaldAs flourishing as the Harry Potter franchise has been, David Yates' extraordinary Beasts: The Crimes Of Grindelwald was put in a inspiring place story-wise in its development. A decision had to be made: be accessible to all audiences, even those supplementary to the Wizarding World; or performance to the diehard fans that most completely exist in hordes. The feature established to take the latter route, which was good news for the Potterheads, but resulted in confusion for everyone else. Hopefully sophisticated chapters complete a enlarged job finding a center ground.
21. Maze Runner: The Death CureThe teenage adult fad dried happening years ago, neglect franchises following Divergent to collapse and Mortal Instruments and pretty Creatures to stall at the start, but you gotta manage to pay for financial credit to Maze Runner for making it all the habit to the end. What's more, Wes Ball's Maze Runner: The Death Cure is actually pretty decent even though still not living thing completely good. It's annoying that it's unusual major objector blockbuster following a "magic blood" plan device, but it afterward offers a mostly willing conclusion for both the series' overarching narrative and the majority of the characters.
20. Pacific Rim: UprisingSteven DeKnight's Pacific Rim: Uprising spent most of its existence as the cinematic equivalent of The little Engine That Could, and following it finally came out the finished product was... fine. There are many ways in which the movie is an press forward more than the first -- from a clearer idea of its audience, to its sophisticated pair of leads -- but it afterward suffers from an undercooked plan and doesn't complete enough to encouragement the world that Guillermo del Toro introduced to us assist in 2013.
19. Solo: A Star Wars StoryThe objector generation of Star Wars was on an awesome roll happening until 2018. The Force Awakens, Rogue One, and The Last Jedi all offered tremendous thrills, even though afterward building on the beloved expansive sci-fi universe. Ron Howard's Solo: A Star Wars Story, though, didn't in fact complete that. Plagued by behind-the-scenes issues and played incorrectly on the forgiveness schedule, the movie is nice of a mess, save for the performance from Donald Glover as Lando Calrissian, Phoebe Waller-Bridge's excellent L3-37, and the impressive Kessel direct sequence.
18. Hotel Transylvania 3: Summer VacationLanding right square in the center of this list we have Genndy Tartakovsky's Hotel Transylvania 3: Summer Vacation. It's completely not the best Sony Pictures breeziness title of the year, as Spider-Man: Into The Spider-Verse is far superior, but it's still a delectable activity following funny and delectable characters. This franchise is most completely the best stuff that Adam Sandler is performance these days, and it actually feels following it should be encouraged.
17. Ocean's 8It's pretty hard to create a heist movie that isn't at the completely least a lot of fun, and that's the basic level on which Gary Ross' Ocean's 8 operates. It's dynamic following one of the best casts of the year, including Sandra Bullock, Cate Blanchett, Anne Hathaway, Sarah Paulson, and Rihanna, but it barely skates by on the tone side just because it feels following the script could have used two or three more drafts. We're still roar for Ocean's 9 and Ocean's 10 to given the trilogy pair, but this isn't a good begin for the relaunched franchise.
16. Goosebumps 2: Haunted HalloweenFrom a publicity perspective, Ari Sandel's Goosebumps 2: Haunted Halloween was completely hurt by not featuring more Jack Black in its advertising, if not just because it made the project see following a hack-y spin-off that wasn't willing to pay its predecessor's biggest star. The film was mostly ignored as a result, but it's actually half decent (and does feature Black in a much more limited role). It doesn't have the same spark that the 2015 feature had, but it still has a heap of fun moments -- particularly for the kids.
15. Creed IISteven Caple Jr.'s Creed II is a good movie that happens to weirdly dwell on from living thing a follow-up. The given is that Ryan Coogler's film was dexterous to complete a lot of special things by the plants of living thing an in-continuity reboot, including surprising the audience by having the hero lose at the end. The sequel doesn't have that nice of luxury, and is nice of predicable as a result -- even though it does still have plenty of nice dressings, including some surprising and excellent callbacks to Rocky IV.
14. Sicario: hours of daylight Of The SoldadoWhile not exactly one of the best films of the year, Stefano Sollima's Sicario: hours of daylight Of The Soldado still stands as one of the enlarged cinematic surprises. After all, this is a sequel that doesn't feature three key components that made the indigenous excel: director Denis Villeneuve, cinematographer Roger Deakins, and star Emily Blunt. all the same, the movie is still dexterous to create it work, crafting a thrilling narrative that leans on the excellence of Josh Brolin and Benicio Del Toro.
13. Unfriended: Dark WebSearching got the majority of the attention in 2018 following it came to films following plots that completely performance out on a computer screen, and a consequence of that is that Stephen Susco's Unfriended: Dark Web can now be considered one of the year's most underrated movies. It's same to the 2014 title in that it's a horror feature following the same aesthetic approach, but rather than performance whatever supernatural it keeps things in the genuine world and pulls off some true twists and turns that you don't see coming.
12. BumblebeeThe Transformers franchise has been paperwork for more than a decade now, and past now each chapter has been anticipated following gritted teeth. But director Travis Knight has successfully turned whatever nearly now following Bumblebee. It's a time film that leans heavily on nostalgia, and the financial credit doesn't exactly improve cinema, but it looks great, has some superb visual effects, and a beating heart inside all of the morphing metal. Bayhem it is not, and it sets an thrill-seeking trajectory for the sophisticated of these movies.
11. Mary Poppins ReturnsWith the indigenous having been released in 1964, Rob Marshall's Mary Poppins Returns is the sequel on this list following far and away the most keep apart from from its predecessor -- but share of what makes it special is that watching the movie you don't tone it at all. Instead, you tone following you're locked in a time bubble, taken away following the Banks children on a fanciful and sharp adventure full of lustrous 2D cartoons and endless whimsy. Emily Blunt is -- I'm going to say it -- just about absolute in all habit as the eponymous nanny, and could completely easily become an icon for generations the same habit that Julie Andrews did.
10. AquamanAudiences spent 11 months stewing in the disappointment that was Justice League, and it didn't exactly create an publicize of high expectations for James Wan's Aquaman. As it turns out, though, that low bar may have been a genuine gift, as unlike some of the supplementary features on this list, this is a blockbuster that goes above and more than in the crowd-pleaser department. even though his roots are in horror, Wan has a genuine present for constructing a thrilling performance sequence, and the world introduced here is breathtaking. Suddenly, the sophisticated is completely shining for Jason Momoa and the DC outstretched Universe.
9. Ralph Breaks The InternetRich Moore and the folks at Walt Disney breeziness Studios created a phenomenal supplementary world filled following video game characters in 2012 following Wreck-It Ralph, and Moore and Phil Johnston's Ralph Breaks The Internet is a extraordinary follow-up to that story. In adjunct to following another time creating unusual stunning visual environment, bringing to activity the world broad web, it's afterward a absolute continuation of the arcs for both Ralph (John C. Reilly) and Vanellope (Sarah Silverman) -- having the characters walk away as completely interchange people than who they were at the begin of the story.
8. Ant-Man And The WaspMarvel Studios had a pretty damn awesome year. You may have noticed that we haven't touched on any of their contributions to 2018 just yet, and it's because they are all in the summit 8 -- starting following Peyton Reed's Ant-Man And The Wasp. This is completely the odd-ball series within the larger Marvel Cinematic Universe franchise, but it's afterward a ridiculous amount of fun, following Paul Rudd's Scott Lang and Evangeline Lilly's hope van Dyne sent on a crazy, madcap adventure and simply having a blast the entire habit through.
7. Incredibles 2Fair warning: this summit 10 is 60 percent superheroes, even though Brad Bird's Incredibles 2 is the lonely busy entry. This is a film that went through press forward shockingly speedily compared to most Pixar projects, but that just makes it all the more awesome that it's as excellent as it is. It's a fitting continuation of the original, advancing the battle adjoining Super oppression in a supplementary and interchange way, even though afterward performance a nice role interchange following Mr. unbelievable (Craig T. Nelson) and Elasti-Girl (Holly Hunter), letting them dissect supplementary areas narratively. We won't maintain out hope for an Incredibles 3, but we'd usual it following admittance arms as long as Bird is at the helm.
6. Paddington 2Between Mary Poppins and Paddington, this was a good year for characters in London wearing blue coats and red hats. Director Paul King first delivered an unbelievable familiarization of the everlasting kids' books in 2014, and following Paddington 2 he's created a sequel that is arguably superior. It's super cute, weird, and charming, and has some extraordinary supplementary additions, following Hugh enter upon and Brendan Gleeson. These movies deserve to be instant classics, as they are the absolute associates films -- easily enjoyed by audiences of all ages.
5. HalloweenSimilar to The Predator, Michael Myers has existed as a genre icon for decades, despite the fact that most of the films made just about him have been pretty terrible. But even though that wasn't a disrupted trend for the apex extraterrestrials in 2018, things did point of view nearly in a major habit for the psychopathic, knife-wielding killer. David Gordon Green's Halloween is an exceptional bit of franchise filmmaking, in that it finds a habit to honor and worship the legacy even though afterward rewriting the comprehensive thing. Jamie Lee Curtis delivers one of the best performances of her career, and even following it's scaring you it simultaneously makes you desire to hop out of your seat and cheer.
4. Black PantherChadwick Boseman's T'Challa nom de plume Black Panther got a stunning inauguration in 2015 following Captain America: Civil War, but still it didn't fully prepare us for what Ryan Coogler would have in heap for us following the character's first ever solo adventure. The world of Wakanda is a stunning, and dream-like vision, and the financial credit packs an awesome punch even though addressing issues that in fact lonely a Black Panther movie could lecture to in the superhero realm. Michael B. Jordan's Erik Killmonger makes for one of the good comic cassette movie villains that we've seen, and Lupita Nyong'o, Danai Gurira, and Letitia Wright have created a trio of characters in Nakia, Okoye and Shuri that teenage girls will be looking happening to for generations.
3. Mission: Impossible - FalloutEscalation in the Mission: Impossible franchise has in fact gotten out of hand... in a good way. Each movie is basically required to attempt and happening stakes from the last one -- specifically following completely genuine and completely risky aerial tricks -- and it's mind-boggling to watch Christopher McQuarrie's Mission: Impossible -- Fallout and complete how far the films have come. Not lonely are the performance set pieces glorious -- from jumping out of planes, to motorcycle chases, to mid-air helicopter battles -- but the performances by Tom Cruise, Simon Pegg, Rebecca Ferguson, Ving Rhames, and Henry Cavill afterward create the film endlessly fun and engaging.
2. Deadpool 2In today's context, it's insane to think that four years ago 20th Century Fox wasn't willing to put a dime towards a Deadpool movie. Now, not lonely is the tone the most well-liked bin office charm in the X-Men stable, but he's been at the front of two absolutely spectacular films. David Leitch's Deadpool 2 is a phenomenal sequel that delivers in the best way, guided by the vision of Rhett Reese, Paul Wernick and Ryan Reynolds, as it perfectly capitalizes on whatever that's good just about its predecessor even though throwing in supplementary excellence following Cable (Josh Brolin) and Domino (Zazie Beetz) into the mix. The performance is phenomenal, the performances are first-rate, and it's funny throughout.
1. Avengers: Infinity WarJoe and Anthony Russo's Avengers: Infinity act basically earns the summit spot on this list by living thing the uber-sequel. No film past it has ever been informed by hence many previous blockbusters, the continuity of the Marvel Cinematic Universe all coming to a head in two-and-a-half hours, and it's shocking and spectacular to see how with ease it all coalesces. even though there are many superheroes above ground around, this is Thanos' (Josh Brolin -- three features in the summit 15!) time to shine, and it's an epic and unforgettable ride following the scarce distinction of living thing a financial credit where the protagonist claiming victory is completely devastating. It's powerful, unbelievable movie magic, and the best sequel of the 2018.
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